π•Ίπ–π–†π–ˆπ–π–Žπ–π–šπ–†π–‘π–Ž

by β„ŒEXOβ„œβ„­β„‘SMOS

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1.
π–ˆπ–Š 04:59
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π–”π–’π–Š 04:59
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π–Šπ–žπ–Ž 04:59
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π–“π–†π–π–šπ–Ž 04:59
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π–’π–†π–ˆπ–šπ–Žπ–‘π–‘π–Ž 04:59
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π–ˆπ–π–Žπ–ˆπ–šπ–†π–ˆπ–Š 04:59
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π–ˆπ–π–Žπ–ˆπ–”π–’π–Š 04:59
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π–ˆπ–π–Žπ–ˆπ–šπ–Šπ–žπ–Ž 04:59
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π–ˆπ–π–Žπ–šπ–ˆπ–“π–†π–π–šπ–Ž 04:59
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π–’π–†π–π–™π–‘π–†π–ˆπ–™π–‘π–Ž-𝖔𝖓-π–ˆπ–Š 04:59
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π–’π–†π–π–™π–‘π–†π–ˆπ–™π–‘π–Ž-𝖔𝖒-π–”π–’π–Š 04:59
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π–’π–†π–π–™π–‘π–†π–ˆπ–™π–‘π–Ž-𝖔𝖓-π–“π–†π–π–šπ–Ž 04:59
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π–ˆπ–†π–π–™π–”π–‘π–‘π–Ž-𝖔𝖓-π–“π–†π–π–šπ–Ž 04:59
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π–ˆπ–Šπ–’-π–•π–”π–π–šπ–†π–‘π–‘π–Ž-𝖔𝖒-π–”π–’π–Š 04:59
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π–ˆπ–Šπ–’-π–•π–”π–π–šπ–†π–‘π–‘π–Ž-𝖔𝖒-π–Šπ–žπ–Ž 04:59
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π–ˆπ–Šπ–’-π–•π–”π–π–šπ–†π–‘π–‘π–Ž-𝖔𝖓-π–“π–†π–π–šπ–Ž 04:59
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π–ˆπ–Šπ–’-π–•π–”π–π–šπ–†π–‘π–‘π–Ž-𝖔𝖒-π–’π–†π–ˆπ–šπ–Žπ–‘π–‘π–Ž 04:59
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π–ˆπ–Šπ–’-π–•π–”π–π–šπ–†π–‘π–‘π–Ž-𝖔𝖓-π–ˆπ–π–Žπ–ˆπ–šπ–†π–ˆπ–Š 04:59
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π–ˆπ–Šπ–’-π–•π–”π–π–šπ–†π–‘π–‘π–Ž-𝖔𝖓-π–ˆπ–π–Žπ–ˆπ–”π–’π–Š 04:59
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π–ˆπ–Šπ–’-π–•π–”π–π–šπ–†π–‘π–‘π–Ž-𝖔𝖓-π–ˆπ–π–Žπ–ˆπ–šπ–Šπ–žπ–Ž 04:59
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π–ˆπ–Šπ–’-π–•π–”π–π–šπ–†π–‘π–‘π–Ž-𝖔𝖓-π–ˆπ–π–Žπ–šπ–ˆπ–“π–†π–π–šπ–Ž 04:59
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π–ˆπ–Šπ–’-π–•π–”π–π–šπ–†π–‘π–‘π–Ž-𝖔𝖒-π–’π–†π–π–™π–‘π–†π–ˆπ–™π–‘π–Ž 04:59
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π–ˆπ–Šπ–’-π–•π–”π–π–šπ–†π–‘π–‘π–Ž-𝖔𝖒-π–’π–†π–π–™π–‘π–†π–ˆπ–™π–‘π–Ž-𝖔𝖒-π–”π–’π–Š 04:59
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π–ˆπ–Šπ–’-π–•π–”π–π–šπ–†π–‘π–‘π–Ž-𝖔𝖒-π–’π–†π–π–™π–‘π–†π–ˆπ–™π–‘π–Ž-𝖔𝖒-π–Šπ–žπ–Ž 04:59
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π–ˆπ–Šπ–’-π–•π–”π–π–šπ–†π–‘π–‘π–Ž-𝖔𝖒-π–’π–†π–π–™π–‘π–†π–ˆπ–™π–‘π–Ž-𝖔𝖓-π–“π–†π–π–šπ–Ž 04:59
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π–ˆπ–Šπ–’-π–•π–”π–π–šπ–†π–‘π–‘π–Ž-𝖔𝖓-π–ˆπ–†π–π–™π–”π–‘π–‘π–Ž 04:59
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π–ˆπ–Šπ–’-π–•π–”π–π–šπ–†π–‘π–‘π–Ž-𝖔𝖓-π–ˆπ–†π–π–™π–”π–‘π–‘π–Ž-𝖔𝖓-π–ˆπ–Š 04:59
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π–ˆπ–Šπ–’-π–•π–”π–π–šπ–†π–‘π–‘π–Ž-𝖔𝖓-π–ˆπ–†π–π–™π–”π–‘π–‘π–Ž-𝖔𝖒-π–”π–’π–Š 04:59
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π–ˆπ–Šπ–’-π–•π–”π–π–šπ–†π–‘π–‘π–Ž-𝖔𝖓-π–ˆπ–†π–π–™π–”π–‘π–‘π–Ž-𝖔𝖒-π–Šπ–žπ–Ž 04:59
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about

π•Ίπ–π–†π–ˆπ–π–Žπ–π–šπ–†π–‘π–Ž es una red neuronal capaz de sintetizar una nueva constelacion de mΓΊsica 3ball

π•Ίπ–π–†π–ˆπ–π–Žπ–π–šπ–†π–‘π–Ž es simultΓ‘neamente una tecnologΓ­a que exterioriza la memoria del 3ball y es capaz de sintetizar nuevos tracks para el club de baile post-pandΓ©mico.

π•Ίπ–π–†π–ˆπ–π–Žπ–π–šπ–†π–‘π–Ž (En Nahuatl: Futuro) es uno de mΓΊltiples posibles futuros en donde la mΓΊsica 3ball se sigue renovando a partir de una simbiosis entre tecnologΓ­as del ritmo prehispΓ‘nicas e inteligencia artificial occidental.

El segundo en una serie de lanzamientos de π”₯𝔒𝔡𝔬𝔯𝔠𝔦𝔰π”ͺ𝔬𝔰 que investigan la composiciΓ³n automatizada por Inteligencia Artificial, utilizando el 'state-of-the-art' en modelos generativos de audio.

Abordando la tecnologΓ­a de audio generative desde una mirada decolonial, en donde sensibilidades no occidentales de ritmo son el tema central, π•Ίπ–π–†π–ˆπ–π–Žπ–π–šπ–†π–‘π–Ž es simultΓ‘neamente Γ‘lbum, paquete de sampleos y mΓ‘quina generativa de mΓΊsica.

El proceso consistio en entrenar una red neuronal de estilo "Transformer" con un extenso archivo de musica 3ball, al rededor de 40 Gigabytes de musica, compilado del canal de youtube dedicado a la musica 3ball en Mexico, word Tribal (www.youtube.com/channel/UCFgJTiNXIUc-qG13KUm2RNw) y utilizado con su permiso explΓ­cito.

Todo el material publicado aquΓ­ es lanzado con una licencia copy(far)left y estΓ‘ libre para descarga, remix, sampleo.

Para interactuar con π•Ίπ–π–†π–ˆπ–π–Žπ–π–šπ–†π–‘π–Ž y generar nuevos tracks de 3ball, sigue este enlace: colab.research.google.com/github/moiseshorta/jukebox/blob/master/jukebox/Interacting_with_3ball_Jukebox.ipynb


Agradecimientos especiales: Anna Phaenareti, Dadabots, Isabella Salas, Debashis Sinha, Robogeisha, Dillon Bastan, Miguel Buenrostro, Luis Taborga.

Arte por Esra Genç

𝔯𝔒𝔠𝔲𝔯𝔰𝔬𝔰 π”―π”’π”«π”¬π”³π”žπ”Ÿπ”©π”’π”° πŸ„― 2021

#--------------------------------------------------#

π•Ίπ–π–†π–ˆπ–π–Žπ–π–šπ–†π–‘π–Ž is a neural network capable of synthesizing a new constellation of 3ball music

π•Ίπ–π–†π–ˆπ–π–Žπ–π–šπ–†π–‘π–Ž is simultaneously a technology that externalizes the memory of the 3ball and is capable of synthesizing new tracks for the post-pandemic dance club.

π•Ίπ–π–†π–ˆπ–π–Žπ–π–šπ–†π–‘π–Ž (Nahuatl: Future) is one of many possible futures where 3ball music continues to be renewed based on a symbiosis between pre-Hispanic rhythm technologies and Western artificial intelligence.

The second in a series of π”₯𝔒𝔡𝔬𝔯𝔠𝔦𝔰π”ͺ𝔬𝔰 releases investigating automated composition by Artificial Intelligence, using 'state-of-the-art' in generative audio models.

Approaching generative audio technology from a decolonial point of view, where non-Western rhythm sensibilities are the central theme, π•Ίπ–π–†π–ˆπ–π–Žπ–π–šπ–†π–‘π–Ž is simultaneously album, sample pack and generative music machine.

The process consisted of training a "Transformer" style neural network with an extensive 3ball music file, around 40 Gigabytes of music, compiled from the YouTube channel dedicated to 3ball music in Mexico, word Tribal (https: // www.youtube.com/channel/UCFgJTiNXIUc-qG13KUm2RNw) and used with their explicit permission.

All material published here is released under a copy(far)left license and is free for download, remix and sample.


Special thanks: Anna Phaenareti, Dadabots, Isabella Salas, Debashis Sinha, Robogeisha, Dillon Bastan, Miguel Buenrostro, Luis Taborga.

Art by Esra Genç

𝔯𝔒𝔠𝔲𝔯𝔰𝔬𝔰 π”―π”’π”«π”¬π”³π”žπ”Ÿπ”©π”’π”° πŸ„― 2021

credits

released January 13, 2021

Special thanks: Anna Phaenareti, Dadabots, Isabella Salas, Debashis Sinha, Robogeisha, Dillon Bastan, Miguel Buenrostro, Luis Taborga.

Art by Esra Genç
Dataset by wordTribal
AI Music and training by MoisΓ©s Horta Valenzuela

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